Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Huray, Peter Le: On using early keyboard fingerings -- a sequel. Diapason 60/ 7:715, 8:716, 9:717 (Jun, Jul, Aug 1969), 10-11; 14-15; 10-11. | |
| 2. | Huray, Peter Le; Day, James (eds.): Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Cambridge Univ. Press, 1981. xvi, 597p. ISBN: 0-521-23426-3. (= Cambridge readings in the literature of music) - Abridged edn, Cambridge: Cambridge University Press, 1988. 403p. ISBN: 0521359015. | |
| 3. | Huray, Peter Le; Butt, John: In Search of Bach the Organist. [ce]BHSTercentenaryEssays (1985), 185-206. | |
| 4. | Huray, Peter Le: Bach's C minor Passacaglia BWV 582. [ce]Huray AuthenticityInPerformance (1990), 102-112. | |
| 5. | Huray, Peter Le: Bach's C major Prelude BWV 870 and 870a. [ce]Huray AuthenticityInPerformance (1990), 5-23. | |
| 6. | Huray, Peter Le: Bach's Overture in D BWV 1068. [ce]Huray AuthenticityInPerformance (1990), 70-81. | |
| 7. | Huray, Peter Le: Authenticity in Performance. Eighteenth-Century Case Studies. Cambridge: Cambridge University Press 1990. xvii, 202p. ISBN: 0-521-39044-3. [BWV 582,106, 870-893] [contents] | |